Cleaned up card

Cigarette card with levels adjusted

A couple of days ago I posted the first results of my experiments with photographing cigarette cards. At the time I mentioned that the outcome was sub-optimal because of how the white background on the cards was coming out grey.

Well, my thanks are due to Pete B, who posted a comment with a link to a tutorial on Cool Mini Or Not (CMON) that explains how to edit the Levels settings in photo editing software. So here’s my attempt to reproduce that piece of digital wizardry for you to compare and contrast with the first image.

Not bad at all – and only a few seconds work. I wonder if an even better result could be achieved when I have a better source image to manipulate.

Cigarette card test shot

Doncella cigarette card

Over the years I’ve acquired several sets of cigarette cards on the theme of the Napoleonic Wars. The intention has always been tp mount them in frames for display in the study at Bfk HQ. The other thing I’ve also planned to do is photograph them for archival purposes. That part of the plan has gradually been inching towards becoming feasible. First, with the purchase of our second hand (but nevertheless excellent) Nikon D70 DSLR. Then, at Christmas, I received an infra-red shutter release control as a present. Finally, this week, I bought a tripod. Only one step remains before I conduct a full-on photography session – the construction of a home-made light tent.

However, in the meantime, I was keen to test out the kit to see what sort of quality I could achieve. So, this afternoon, I took several test photographs in natural light by the french windows at the rear of the house.

The image shown here is an example of the results. This is card no. 18 of a set of 24 entitled “Napoleonic Uniforms” from Doncella (a division of John Player and Sons, Imperial Tobacco Limited). The set was issued in 1980 and it was probably actually issued with cigars rather than cigarettes. For the record, I’m not a smoker – I purchased this set in an antiques market over ten years ago for the princely sum of four pounds.

This card is captioned “Drummer, 1813: Landwehr infantry of the Rhine”. Which clearly isn’t accurate given that Prussia didn’t raise landwehr in the Rhineland until 29th March 1815. However, if we assume the red provincial colour and white buttons are accurate, this is more likely a representation of an East Prussian landwehr drummer. I think the shoulder swallows aren’t quite right and the drum seems too large but otherwise this is an evocative illustration and in many respects historically accurate.

For your entertainment, I’ll also quote the rest of the text on the rear of the card:

Although eighteen was the lower age limit for enlistment in the Prussian army of 1813, drummer boys several years younger are known to have marched into battle with their regiments – and on at least one occasion a young girl, masquerading as a drummer boy, died on the field of battle (Eleonore Prohasta, 16th September 1813). Deceptions of this kind were facilitated by the haste with which the militia was summoned to arms when Prussia withdrew from the French alliance in January 1813. Within a few months the army of 42,000 – the limit imposed by Napoleon – was expanded to more than a quarter of a million men under arms, albeit poorly clothed, trained and equipped. These were the men who drove Napoleon’s Grand Army back to Paris, and dashed his hopes at Waterloo.

That paragraph leaves quite a lot to be desired in terms of accuracy but it did pique my interest about the drummer girl’s fate. It should come as no surprise that the card is inaccurate about her too. I think it actually refers to Marie Christine Eleonora Prochaska who served with Lutzow’s Freicorps, She was badly wounded in action at Göhrde on 16th September 1813 but didn’t actually die until 5th October 1813 at Dannenberg where her funeral was held. As with so many members of Lutzow’s Freicorp, quite a lot of romantic mythology seems to have built up around Eleonora and there’s a monument to her in Potsdam.

Back to the photography. The focus and resolution are good on the original capture but these cards have white backgrounds and you can see that it has come out rather grey. I think the light tent and a better understanding white balance will help me to fix this problem.

Black or white?

Another small update on progress. I’ve been following a thread on TMP about Prussian landwehr uniforms with some amusement. As usual, there seem to be several TMPers who are content to make categorical statements about things with little or no historical evidence to support their assertions. In this instance, there were some people prepared to state definitively that the straps for things like cartridge cases were white for the landwehr. Well, sorry, no…

We’re talking about poorly equipped militia units from a nation with sorry finances in a continent almost totally exhausted of all resources after 20-odd years of constant warfare. There’s no way that a regulation insisting on white staps could have been honoured. Equipment was begged, borrowed or stolen from where ever it could be found. And that meant straps were a mixture of colours. Yes sometimes white but far more often black. I’ve previously posted Knotel plates of Prussian landwehr here and the mixture of strapping colours can clearly be seen in them.

What’s this got to do with the current painting progress? Well, I was working on the figure shown here while this TMP thread was happening and, as you know, I’m striving for a campaign look with my Kurmark landwehr. I do actually want a mix of black and white straps so this chap has just happened to get white ones to offset the black the others painted so far have received. Other bits of progress on this figure include canvas coloured straps for his bags, completion of the footwear, trousers and litewka along with the now traditional muddying up of things. I think he’s coming along rather nicely.

And just a little bit more…

Just short painting session yesterday to get the second figure of the current w-i-p pair up to the same stage as the first figure. So this chap’s face is done and he now has all his red provincial facings and I opted for light blue for his neck scarf. I’m pleased with the result though it doesn’t show up too clearly in this picture. I’ve also started on his trousers with the first two layers of grey: VMC neutral grey and VMC light grey. These will be finished off with Foundry arctic grey and Foundry white. And after that, of course, they’ll get the mud treatment!