Forthcoming Saxon artillery book

I’ve been having an occasional correspondence with Stephen Summerfield over the last couple of months as he’s been putting the final touches to his next book. Over the weekend, I received final publication details from Stephen along with a PDF of some sample pages.

The book is entitled Saxon Artillery 1733-1827 and will be published by Partizan Press, hopefully this coming December though the run-in to Christmas might affect that date. When Stephen started on this book, it was envisaged as an 80-90 page paperback but it has grown into a 216 page hardback monster. The cover blurb reads:

The strong links of Saxony with the Polish crown caused her to become the battleground for the competing powers of Austria, Prussia and Russia for centuries. Efficient artillery was essential but in the 1740s was
neglected due to the prohibitive costs of ordnance and maintaining a standing army. This contributed by the annexation of Saxony by Frederick the Great in 1756 and the absorption of her soldiers into the Prussian Army. The remnants of the Saxon Army fought with distinction with their Austrian and French allies.

This unhappy experience of the Seven Years War (1756-63) led to the M1766 Hoyer system that was first used in the War of Bavarian Succession (1777-78). The gun carriage and elevating system of the M1766 4-pdr Schnellfeuergeschütz regimental gun probably influenced the design of the Austrian M1780 Wurst guns. The M1766 Granadstück based upon the Russian Unicorn was a long barrelled howitzer that could fire an early form of spherical case [Shrapnel].

The 1809 campaign showed the Saxon Army and its ordnance had to be transformed from that suited for 18th Century to Napoleonic warfare. The main influence on the M1810 gun tubes was the French AnXI with the carriages derived from those of the Saxon M1766 Hoyer System. These excellent guns performed well in 1812 and especially at Gross Beeren (23 August 1813) where they dismounted 9 Prussian guns.

The century of Saxon ordnance development is illustrated with 66x 1:24 scale plans, 64x 1:30 scale plans and 64 details drawn from contemporary sources. These are enhanced by 34 photographs, 38 contemporary plates and 32 uniform plates with 78 separate uniforms shown in colour. In addition there are 3 maps, 34 OOBs and 22 tables.

So you can see that the scope of this work is extensive. If the sheer scale of this book and the fact that it covers a period far greater than the Napoleonic wars puts you off purchasing, then there’s another option open to you. Stephen has been working with figure painter Ged Cronin to produce a series of colour plates/plans of Napoleonic Saxon artillery equipment. Some of ther plates are 1:60 scale and some are 1:24 scale and they come with a variety of additional notes and historical uniform plates. Contact Ged for more details.

Mould-making and sculpting masterclass

Peter F's von Rechten battalion

I spent most of this last weekend at Calpe Towers as Peter F’s guest. It was the long-planned opportunity for me to learn the basics of mould making and pick up some sculpting tips in readiness for my forthcoming venture into Frankenstien monster-like conversions of some Calpe Saxons. We covered so much ground that it’s hsrd to know where to start. So let’s just dive in.

On the Saturday, Peter demonstrated the art of mould making. The creation of a successful mould is indeed an art. Anybody can make a mould but it takes considerable skill and thought to make a mould that captures all the detail of the master figures and can survive repeated use without degradation or damage. I’ve learnt that the orientation of the figures in the mould, the way they’re sculpted in first place, the type of rubber, temperature, pressure and the duration of “cooking” time all make a contribution to the quality of the result. Even how you pre-warm the rubber beforehand makes a difference.

On top of all that, you need a bit of physics knowledge to understand how the forces affect the flow of molten metal into the mould while its in the spin casting machine. Plus, you need to bear in mind that the air displaced from the mould cavities by the metal needs somewhere to go otherwise you end up with trapped air bubbles. Hence the need to cut and drill vent holes in the mould after its been made.

While waiting for the mould to “cook” we started on my sculpting tutorial. Rather than actually embarrass myself, I was content to watch Peter work and listen to him as he described the tools and techniques he uses. He also took the time to explain how he designs figures carefully with minimum risk of gaps and unsupported parts that would result in easily torn rubber in the moulds. Peter also showed me the ingredients and proportions he uses for his mixture of sculpting putty and I ended up mixing up several batches as work progressed on several figures over the weekend. Mostly we focussed on an NCO for the new set of Saxon line grenadiers but we also did some work on some greatcoat wearing figures that will emerge in an exciting release some time next year (once some minor problems with production mould quality have been resolved).

In particular I learnt how to get a smooth surface finish on putty, add fine details of various sorts, add buttons, make shoulder swallows for musicians, create wire armatures for limbs and bulk them out with putty, create folds in clothing and make blanket rolls worn bandolier style. Phew, what a lot to absorb! Now I’ve got to go away and practice. If I do a good enough job, Peter’s offered to make up a mould so that I can cast off a few of my own diabolical creations. No pressure there then

The other job we managed to get done was a short photography session (you can see a glimpse of the output above) and hopefully some of the other shots will be of good enough quality to be used by Dan with my Wargames Illustrated Prussian article. If so, I hope that the article will appear in the next issue.

Too busy to post

The surviving Ordinarfahne of the von Niesemeuschel regiment

Most of October seems to have slipped by since the last time I posted anything new. But that doesn’t mean I haven’t been busy and it certainly doesn’t mean that the rest of the world has been idle either.

Barry and Clarence, as you may have noticed from a recent comment here on BfK, are now on the very cusp of publishing the Republic to Empire rules. Apparently the proofs are back from the printers, the presses are rolling and pre-orders will be available within a week.

Also, I seem to be in a modicum of demand. Rosemary of Rosemary and Co. has been in contact with me and we’ve had a very civilized correspondence. I’ve heard from several other painters that Rosemary makes excellent brushes at VFM prices so it was a pleasure to hear from her directly. I now have several review samples of her Kolinsky sable brushes that I’m going to try out over the coming weeks and review here.

So just what have I been up to? Well, mostly, I’ve been digging into the arcane mysteries of 1813 Saxon line infantry flags. You may recall that, in my review of the GMB 1811 Saxon flags, I mentioned that the history of what happened to these flags in the 1812 campaign and how the lost ones were replaced in 1813 was very complex. Well, it certainly was! But I think that a joint effort by Grahame Black, Peter F, me and a couple of our correspondents (thanks to Andrew Brentnall and von Winterfeldt) means that we’ve almost got to the bottom of it. And I know (again from another comment here at BfK) that Grahame has almost got the 1813 sets ready for release. So expect to see those reviewed here in the near future too. At that point, I might also share the results of our research and add it to the Saxon Army Resources page. But in the meantime, as a taster, the photo at the top of this post is of one of the flags that survives to this day.

A game of musical figures

At some point in the next day or two I’m going to remove the link to The Assault Group and replace it with one to Alban Miniatures. Why? Well, rest assured, it’s not because I’ve had a tiff with the boys at TAG. Nope, rather it’s because TAG has just sold its Richard Ansell-sculpted range of Napoleonic 1809 Austrians and Saxons to Alban, so they won’t any longer have anything of relevance to BfK in their product range.

To be honest, this change ownership doesn’t come as much of a surprise to me. Progress on new releases for the range has been painfully slow and the fact that Ansell also scuplts Napoleonic figures for Alban makes this a natural move. I wish all concerned a fruitful future.

Perry French Imperial Guard horse artillery greens

Perry French line horse artillery greens

Meanwhile, one range that seems to keep growing faster than a weed in a compost heap is the Perry Napoleonic range. The latest additions are set to be French horse artillery of both the line and Imperial Guard varieties. I do have a soft-spot for artillery, especially if the crews offer a good range of poses and all those little extras like caissions are covered. I’ve included a couple of shots of the greens for your enjoyment.

Of course, I’ll be resisting this particular temptation because Calpe Saxon artillery is on my horizon.